You can either enter all of the bass notes of the measure and then go back to the second beat and start entering the melody or you can go back and forth between the two as you progress along the measure. Once it's in place, enter a "3" on the 5th string in order to complete the bass run leading into the basic C chord. The first step is to hit again to move the cursor to the first beat of the second measure. Example 2 illustrates the measure directly following the one represented by Example 1, above. Now that we've got a little bass line going, let's add some melody notes. Now press to indicate the open 5th string and then (I'll bet you can guess what's coming next) press first and then. Press again to advance the cursor to the next position and then use to move it to the 5th string. You've just entered your first note of tablature! Congratulations! Now use to move the cursor down to the 6th string and press. This will automatically advance the cursor to the right a distance equivalent to the duration of a 1/4 note. Leaving the current duration as a 1/4 note, press. Only 1/64th note duration has to be set manually. The shortcuts run from (whole note) to (1/32nd note). When you're entering measure after measure of tablature, this little feature will save you lots of time. Note the use of the shortcuts to change note duration rather than using the mouse to select from either the menu or the "Notes" palette. Now, press to set the current duration to a 1/4 note and then to insert a 1/4 rest. In a six line tablature grid the cursor would normally be placed on either the 3rd or 4th string. This isn't a problem in the five line classical stave. Which string it's placed on doesn't really matter but convention dictates that, unless there are other notes on the same beat, it should be placed as close to the center line as possible. Place your cursor at the very beginning of the measure. This allows the creation of an aural realism worthy of the best music editing software.Įxample 1 below shows the most common "lead-in" to a tune in the key of C.Īs the actual notes don't begin until the second beat of the measure, a rest should be entered on the first beat. Another advantage is that it becomes very easy to hold a note for an entire measure despite the fact that the following note is sounded only an 1/8th note interval afterwards. One of the advantages of this concept is that rests become somewhat irrelevant to obtaining a legible printed score. This precise placement is facilitated by the use of the ruler which allows the correct location to be found. On the other hand, notes must be placed precisely at the location corresponding to their sequence in the overall scheme of the piece. This means, for example, that you can enter a note in measure 10 even if the first nine measures of the score are completely devoid of either notes or rests. The logic used by TablEdit is different in that the work consists of placing notes within pre-determined measures without reference to prior entries. Other automatically create a new measure when the previous one is completed.Īlthough these techniques are fairly flexible, they require the frequent use of rests in order to follow the rhythm assigned to a given piece and lead to complications when notes of differing durations crowd up on one another. Some music editing software simply has you enter row upon row of numbers and insert the measure bars afterwards.
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